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UC San Diego's Department of Music

February 18, 2016
SAXOPHONIST AND AACM FOUNDING MEMBER ROSCOE MITCHELL PERFORMS MARCH 2



  Roscoe Mitchell, a leading saxophonist and co-founder of Chicago's Association for the Advancement of Creative Musicians (better known as AACM), will be joined by pianist Anthony Davis, trumpeter Stephanie Richards and contrabassist Mark Dresser, all from the Department of Music faculty, along with drummer Mike Reed and flutist Nicole Mitchell for this rare West Coast performance. Mitchell's Mar. 2, 7Π0 pm concert takes place in the Experimental Theater at Conrad Prebys Music Center.
 
Mitchell will also be featured in the department's Distinguished Lecture Series on Tuesday Mar. 1 at 4Π0 pm in the Experimental Theater. The lecture is FREE and open to the public.

The following is from Scott Yanow's entry in the All Music Guide:
 
Mitchell is a consistently adventurous improviser long associated with the Art Ensemble of Chicago. After getting out of the military, Mitchell led a hard bop sextet in Chicago (1961) which gradually became much freer. He was a member of Muhal Richard Abrams's Experimental Band and a founding member of the AACM in 1965. Mitchell's monumental Sound album (1966) introduced a new way of freely improvising, utilizing silence as well as high energy and "little instruments" as well as conventional horns. Lester Bowie and Malachi Favors were on that date and Mitchell's 1967 follow-up Old/Quartet.
 
With the addition of Joseph Jarman and Philip Wilson (who was later succeeded by Famoudou Don Moye), the Art Ensemble of Chicago was born. The colorful unit was one of the most popular groups in the jazz avant-garde and Mitchell was an integral part of the band. Roscoe Mitchell (who, in addition to his main horns, plays clarinet, flute, piccolo, oboe, baritone and bass saxophones) also was involved in individual projects through the years and has recorded as a leader for Delmark, Nessa, Sackville, Moers Music, 1750 Arch, Black Saint, Cecma and Silkheart in settings ranging from large ensembles to unaccompanied solo concerts.

Click here to read BOMB magazine's interview with Mitchell.
  

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