Philippe Manoury is one of the world's leading composers and computer music researchers. He studied composition with Gerard Condé and Max Deutsch (one of Schoenberg's first students in Vienna), and at the Conservatoire National de Musique de Paris, with Michel Philippot and Ivo Malec. He studied computer-assisted composition with Pierre Barbaud beginning in 1976.
In 1978, Philippe began teaching in Brazil at universities in Sao Paulo, Brasilia, and other locations. A major appointment followed at the Conservatoire National Supérieur de Lyon (1986-96). Most significant is his long association with the world's leading center for computer music research, IRCAM (Institut de Recherche et Coordination Acoustique/Musique), a branch of the Centre George Pompidou in Paris. Philippe has worked as a musical researcher (in collaboration with Miller Puckette) since 1981, and as a Professor of Composition since 1993. At IRCAM Manoury composed Zeitlauf (1981), a work for mixed choir, instrumental ensemble, synthesizers, and tape.
For the European Year of Music, the Council of Europe commissioned Manoury to compose Aleph, which premiered in 1985. He also wrote a series of chamber works, including Musique I and II, and Instantanés. In 1992 and 1993 he composed La Nuit du Sortilège, which won an award from the UNESCO International Composers' Tribune. In 1999, the Chicago Symphony Orchestra and the Cleveland commissioned Sound and Fury, premiered by Pierre Boulez.
Philippe has composed three operas, 60e Parallèle, K..., and La Frontière. K... was commissioned and premiered by the Paris Opera in 2001. One of his most important works is Sonus ex Machina, a series of compositions (Jupiter, Pluton, Neptune and La Partition du Ciel et de l'Enfer) for solo instruments, ensemble and real-time computer processing. Mr. Manoury was also composer in residence at the Orchestre de Paris where he composed Noon, a large piece for soprano, choir, orchestra and electronics. It was premiered by Esa-Pekka Salonen.
In 2005, Philippe composed Identités remarquables and Strange Ritual for the Ensemble Intercontemporain and the Modern Ensemble. Recently, Mr. Manoury premiered On-Iron, a 75-minute oratorio for choir, percussion, electronics and video which toured five cities in France.
Mr. Manoury will have an immediate impact on our composition, computer music, and ICAM (computer music) programs. He will be available as a senior mentor to Ph.D. candidates in composition, teach the Music 203 composition seminar, 103 undergraduate composition seminar, 270 computer music seminars, and 210 musical analysis.
"Philippe Manoury's Jupiter (1987) is a pioneering work, the first to use score-following to synchronize live electronics with the performer."-James Harley, composer
"Manoury's score (Last, 1997) puts the unlikeliest of musical partners, a bass clarinetist and a marimbist, through an exhilarating relay race."-John von Rhein, Chicago Tribune
"En echo is a succulent extravaganza of computer-generated sounds interacting with the purity of a solo soprano."-Keith Potter, The Independent (London)
Link here: http://music.ucsd.edu/b/Philippe+Manoury