“Openness from Closure: The Puzzle of Interagency in Improvised Music and a Neo-Cybernetic Solution.” In Sounding the Body: Improvisation, Representation, and Subjectivity. Duke University Press (2014)
“What the Music Wants.” In Soundweaving: Writings on Improvisation, edited by Franziska Schroeder and Micheál Ó hAodha, Cambridge Scholars Publishing (2014)
“The Ghost in the Music, or the Perspective of an Improvising ANT.” In The Oxford Handbook of Critical Improvisation Studies, edited by George Lewis and Benjamin Piekut, Oxford University Press (2014)
“Embodied, Situated, and Distributed Musicianship.” In Sound Musicianship: Understanding the Crafts of Music, edited by Andrew Brown, Cambridge Scholars Publishing (2013)
“Beyond Performance: Transmusicking in Cyberspace.” In Taking it to the Bridge: Music as Performance, edited by Nicholas Cook and Richard Pettengill, Ann Arbor: University of Michigan Press (2013)
“Free Jazz in the Classroom,” In Jazz, edited by Tony Whyton, The Library of Essays on Popular Music series, Ashgate Publishing (2011)
“Semi-Permeable Musicking Membranes.” Journal of Popular Music Studies (22/2: 131-138, June 2010)
On “The Spiritual Significance of Music.” In The Spiritual Significance of Music (vol.1), edited by Justin St. Vincent (2009)
CD Review, Anthony Braxton Quartet (GTM) 2006 (4cds), Journal of the Society of American Music vol. 3 no. 2 (2009), pp. 259-262.
DVD Review, Don Cherry’s MultiKulti and The Art Ensemble of Chicago: Swim–A Musical Adventure, Journal of the Society of American Music vol. 1, no. 3 (2007), pp.414-417.
CD Review: Thelonious Monk and John Coltrane, Jazz Perspectives 1/1 (2007).
“Musicking on the Shores of Multiplicity and Complexity.” Parallax 13/4 (2007)
"Free Jazz in the Classroom: An Ecological Approach to Music Education." Jazz Perspectives 1/1 (2007).
"Sync or Swarm: Musical Improvisation and the Complex Dynamics of Group Creativity." In Algebra, Meaning, and Computation: A Festschrift in Honor of Professor Joseph Goguen, edited by Kokichi Futatsugi, Jean-Pierre Jouannaud, Jose Meseguer. Springer Verlag.
"Negotiating Freedom: Values and Practices in Contemporary Improvised Music." Black Music Research Journal 23/1 (Fall 2004).
"The Play of Meaning and the Meaning of Play in Jazz." Journal of Consciousness Studies, vol. 11, no. 3-4 (March/April 2004).
Book Review, Swing: That Modern Sound, Kenneth J. Bindas, Journal of American History (March 2003), p.1584-5.
"Between Worlds: The Embodied and Ecstatic Sounds of Jazz." The Open Space 5 (2003).
“Synergy and Surrealestate: The Orderly-Disorder of Free Improvisation.” Pacific Review of Ethnomusicology vol. 10 (2002).
“Can Blacks Play Klezmer? Authenticity in American Ethnic Musical Expression.” Sonneck Society for American Music Bulletin vol. XXIV no.2, (Summer 1998).
“Emergent Qualities of Collectively Improvised Performance: A Study of an Egalitarian Intercultural Improvising Trio.” Pacific Review of Ethnomusicology vol. 8 (1997).
Book Review, Saying Something: Jazz Improvisation and Interaction, Ingrid Monson. Popular Music and Society vol. 21 no. 4 (1997).
