next up previous contents index
Next: About this document ... Up: book Previous: Index   Contents   Index

Bibliography

Bal03
Mark Ballora.
Essentials of Music Technology.
Prentice Hall, Upper Saddle River, New Jersey, 2003.

Ble01
Barry Blesser.
An interdisciplinary synthesis of reverberation viewpoints.
Journal of the Audio Engineering Society, 49(10):867-903, 2001.

Bou00
Richard Boulanger, editor.
The Csound book.
MIT Press, Cambridge, Massachusetts, 2000.

Cho73
John Chowning.
The synthesis of complex audio spectra by means of frequency modulation.
Journal of the Audio Engineering Society, 21(7):526-534, 1973.

Cho89
John Chowning.
Frequency modulation synthesis of the singing voice.
In Max V. Mathews and John R. Pierce, editors, Current Directions in Computer Music Research, pages 57-64. MIT Press, Cambridge, 1989.

DJ85
Charles Dodge and Thomas A. Jerse.
Computer music : synthesis, composition, and performance.
Schirmer, New York, 1985.

DL97
Mark Dolson and Jean Laroche.
About this phasiness business.
In Proceedings of the International Computer Music Conference, pages 55-58, Ann Arbor, 1997. International Computer Music Association.

GM77
John M. Grey and James A. Moorer.
Perceptual evaluations of synthesized musical instrument tones.
Journal of the Acoustical Society of America, 62:454-462, 1977.

Har87
William M. Hartmann.
Digital waveform generation by fractional addressing.
Journal of the Acoustical Society of America, 82:1883-1891, 1987.

III03
Julius Orion Smith III.
Mathematics of the Discrete Fourier Transform (DFT), with Music and Audio Applications.
W3K Publishing, Menlo Park, California, 2003.

KS83
Kevin Karplus and Alex Strong.
Digital synthesis of plucked-string and drum timbres.
Computer Music Journal, 7(2):43-55, 1983.

Leb77
Marc Lebrun.
A derivation of the spectrum of fm with a complex modulating wave.
Computer Music Journal, 1(4):51-52, 1977.

Leb79
Marc Lebrun.
Digital waveshaping synthesis.
Journal of the Audio Engineering Society, 27(4):250-266, 1979.

Mat69
Max V. Mathews.
The Technology of Computer Music.
MIT Press, Cambridge, Massachusetts, 1969.

Moo90
F. Richard Moore.
Elements of Computer Music.
Prentice Hall, Englewood Cliffs, second edition, 1990.

PB87
T. W. Parks and C.S. Burrus.
Digital filter design.
Wiley, New York, 1987.

Puc95a
Miller S. Puckette.
Formant-based audio synthesis using nonlinear distortion.
Journal of the Audio Engineering Society, 43(1):224-227, 1995.

Puc95b
Miller S. Puckette.
Phase-locked vocoder.
In IEEE ASSP Workshop on Applications of Signal Processing to Audio and Acoustics, 1995.

Puc01
Miller S. Puckette.
Synthesizing sounds with specified, time-varying spectra.
In Proceedings of the International Computer Music Conference, pages 361-364, Ann Arbor, 2001. International Computer Music Association.

Puc05
Miller S. Puckette.
Phase bashing for sample-based formant synthesis.
In Proceedings of the International Computer Music Conference, pages ??-??, Ann Arbor, 2005. International Computer Music Association.

Reg93
Phillip A. Regalia.
Special filter design.
In Sanjit K. Mitra and James F. Kaiser, editors, Handbook for digital signal processing, pages 907-978. Wiley, New York, 1993.

RM69
Jean-Claude Risset and Max V. Mathews.
Analysis of musical instrument tones.
Physics Today, 22:23-40, 1969.

RMW02
Thomas D. Rossing, F. Richard Moore, and Paul A. Wheeler.
The Science of Sound.
Addison Wesley, San Francisco, third edition, 2002.

Roa01
Curtis Roads.
Microsound.
MIT Press, Cambridge, Massachusetts, 2001.

Sch77
Bill Schottstaedt.
Simulation of natural instrument tones using frequency modulation with a complex modulating wave.
Computer Music Journal, 1(4):46-50, 1977.

Ste96
Kenneth Steiglitz.
A Digital Signal Processing Primer.
Addison-Wesley, Menlo Park, California, 1996.

Str85
John Strawn, editor.
Digital Audio Signal Processing.
William Kaufmann, Los Altos, California, 1985.



Miller Puckette 2006-03-03