________________________
Shlomo
Dubnov
(Picture
courtesy of K. Burns CableDrawn Caricature)
Associate
Prof.
Music
Department, UCSD
Office:
Mande. B-139,
Phone: 858-534-5941
Email:
sdubnov@ucsd.edu
Research Interests
Machine Improvisation
v
Memex
Computational
Aesthetics and the Science of Fun
v Info-Rate, EVE’, Slots and
Memex
Computer Audition
v
CATBox
v
YASA
Works
in Progress
Debate and Commentary
Play
v Arts-History-Econ.
Collaboratory
The Structure of Style
v Book
Research Links
Blogs
Seminars& Tutorials
CALIT2
Opening Presentations: Computational Modeling of MusicCognition
AAAI 2004 Fall Symposium
Series: STYLE AND MEANING IN LANGUAGE,ART, MUSIC AND DESIGN
CRCA2003:
Computational Methods in Art (see also CRCA Web
StreamArchive)
ISMIR02:
Modern Methodsfor Statistical Audio Signal Processing and Characterization
Selected Publications
Some recent or highly quoted publications sorted
according to topics (click here for a complete
list)
Audio Processing
Conferences
A. Cont, S. Dubnov, D. Wessel, “Realtime
Multiple-pitch and Multiple-instrument Recognition for Music Signals using
Sparse Non-negative Constraints”, in Proceedings of DAFX, 2007
P.Xiang, S.Dubnov, "Kaaraoke System with Spatial
Acoustics Estimation for Vocal or Instrumental Removal", Procedings of
International Computer Music Conference (ICMC), Barcelona, 2006.
S. Dubnov, “YASAS – Yet another sound
analysis-synthesis method”, in Proceedings of International Computer Music
Conference, New Orleans, 2006
Journals and Book Chapters
J.Tabrikian, S.Dubnov. E.Fisher, "Generalized Likelihood Ratio Test
for Voiced-Unvoiced Decision in Noisy Speech Using the Harmonic Model”, IEEE Transactions
on Audio, Speech and Language Processing, Volume 14, Issue 2, March
2006, Page(s):502 - 510
S.Dubnov, J.Tabrikian, M.Arnon-Targan, " Speech Source Separation
in Convolutive Environments Using Space-Time-Frequency Analysis”, EURASIP
Journal on Applied Signal Processing, vol. 2006, Article ID 38412
S.Dubnov,Z.
Bar-Joseph, R. El-Yaniv, D.Lischinski and M. Werman , "Synthesizing Sound
Textures through Wavelet Tree Learning", IEEE Computer Graphics
andApplications, 22 (4), pp. 38-48,_ August 2002 (pdf)
Machine Listening and Improvisation
Conferences
A. Cont, S. Dubnov, G. Assayag, “GUIDAGE: A fast
query guided assemblage”, in Proceedings of International Computer Music
Conference (ICMC), 2007
S.
Dubnov, G. Assayag, A. Cont, “Audio Oracle: A New Algorithm for Fast Learning
of Audio Structures”, in Proceedings of International Computer Music Conference
(ICMC), 2007
C.
Rueda, G. Assayag, S. Dubnov, “A Concurrent Constraints Factor Oracle Model for
Music Improvisation, CLEI Conference, 2006
K.
Burns, S. Dubnov, “Memex Music and Gambling Games: EVE’s Take on Lucky Number
13”, AAAI Workshop on Computational Aesthetics, 2006
G.
Assayag, G. Bloch, M. Chemillier, A. Cont, S. Dubnov, “OMax Brothers : a
Dynamic Topology of Agents for Improvization Learning”, ACM Multimedia Workshop
On Audio and Music Computing, 2006
A.
Cont, S. Dubnov, G. Assayag, “A Framework for Anticipatory Machine
Improvisation and Style Imitation”, ABiALS Workshop, SAB 2006
S.
Dubnov, “Analysis of musical structure in audio and MIDI using information rate”,
Proceedings of International Computer Music Conference (ICMC), New Orleans,
2006
S.
Dubnov, G.Assayag, "Improvisation Planning and Jam Session Design using
concepts of Sequence Variation and Flow Experience", in Proceeding of
Sound and Music Computing (SMC'05), Salerno, 2005.
Journals and Book Chapters
S.
Dubnov, “Memex and Composer Duets: computer-aided composition using style
mixing”, to appear in The OM Composer’s Book 2, (Ed.
C. Agon, G. Assayag and J. Bresson), Editions
Delatour France / Ircam, 2007-2008.
A. Cont, S. Dubnov,
G. Assayag, “Anticipatory Model of Musical Style Imitation Using Collaborative
and Competitive Reinforcement Learning”, to appear in Anticipatory Behavior in
Adaptive Learning Systems, Lecture Notes in Artificial Intelligence, Butz,
M.V.; Sigaud, O.; Pezzulo, G.; Baldassarre, G. (Eds.) , Springer 2007
S. Dubnov, “Spectral Anticipations”, Computer Music Journal, Volume 30,
Number 2, Summer 2006
S.
Dubnov, S.McAdams, R.Reynolds, “Structural and Affective Aspects of Music from
Statistical Audio Signal Analysis”, in Journal of the American Society for
Information Science and Technology, Special Issue on Style, Volume 57, Issue
11 ,pp. 1526-1536, September 2006 (pdf)
G.Assayag,
S.Dubnov, “Using Factor Oracles for Machine Improvisation”, Soft Computing 8,
pp. 1432-7643, September 2004 (pdf)
S.Dubnov,
G. Assayag, O. Lartillot, G. Bejerano, "Using Machine-LearningMethods for
Musical Style Modeling", IEEE Computers, 36 (10), pp. 73-80,Oct. 2003 (pdf)
Other
Deutsch, D., Dooley, K., Dubnov, S., Henthorn,
T. and Wurden, A. Pitch circularity produced by varying the amplitudes of
odd and even harmonics. Journal of the Acoustical Society of America, 2005,
118, p.1949
SelectedMusic
Composer Duets – premiered János Négyesy and Paivikki
Nykter, UCSD 2006.
Memex for solo Violin - premiered by János Négyesy,
CALIT2 inauguration concert, UCSD, 2006 and at Information Theory and Applications (ITA) Center
Banquet, (mp3)
ChopMix (Memex
2) for Computer Piano – premiered at ITA center inauguration, UCSD 2006
127Digits for piano and MAX program, (wma 64Kbps,128Kbps),
premiered at Journees d'Informatique Musicale,
Sonata for Cello and Piano, (wma 64Kbps (1,2),128Kbps)
Electronic Preludes (wma 64Kbps (1,2,3,4,5,6,7,8,9,10,11,12),128Kbps(1,2,3,4,5,6,7,8,9,10,11,12))
premiered at "The Sound of Israel" festival, Hochschule Der
Kuenste,Berlin, May 1998
NTropeSuite for Recorders (algorithmic composition)_
(wma 64Kbps (1,2,3,4),128Kbps
(1,2,3,4))
premiered at Biennale of Contemporary Music,
Recorded
version presented at Art Tech Expo Oct.
9 - Nov. 13, 2005 in the Sprinkler Factory,
Worcester, Massachusetts
See also a paper that describes the piece.
Suite for Organ, in "Organ Music From
Israel", (excerpts
available at amazon.com).
publishedby MDG Germany, 2001.
Family (co-authored with Lior Valerie Dubnov)
