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Auditory Completion II

In another experiment by Al Bregmen, the signals are swept up and down in frequency.

Figure 10: Discontinuity in the middle of ascending and descending legs or at peaks and valleys.
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Continuity is not dependent on the signal being in a steady state.

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``Music 175: Cognitive Psychology and Music'' by Tamara Smyth, Department of Music, University of California, San Diego (UCSD).
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Copyright © 2019-04-30 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>