Tones consist of a number of sinusoidal components,
an octave apart, with a fixed spectral envelope that goes to zero at
low and high frequencies.
Figure 9:
Shepard tone spectrum.
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When frequencies of the sinusoidal components are raised, we get
the sense of an increase in pitch.
Shepard tone:
- sinusoidal components are raised repeatedly (or continuously)
such that the pitch seems to rise;
- new low-amplitude components
appear at the lowest frequency according to the sound's fixed
envelope;
- once 12 semitones is reached the tone is back to the beginning (yet
having left the impression it is continually rising) showing the
impact of common fate.
The pitch appears to increase endlessly:(play auditory demo: ``circularity in pitch judgement'').
``Music 175: Auditory Streaming''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (stream175.pdf)
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Copyright © 2019-05-21 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>