Tritone Paradox

Discovered by Diana Deutsch (UCSD) in 1986.

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Two computer-produced tones, a tritone apart, are played in sequence: for some, that pattern has the illusion of ascending, while for others, it's decending.

Generally, when a melody is transposed, the perceived relationship between tones is unchanged.


``Music 175: Auditory Streaming'' by Tamara Smyth, Department of Music, University of California, San Diego (UCSD).
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Copyright © 2019-05-21 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>