Autoduplicity presents their second concert exploration Machaut + Rauschen, a performance that juxtaposes Guillaume de Machaut's ballade “Dame, ne regardez pas” with several of Peter Ablinger's "Instrumente und Rauschen" works. Leaping from the simple purity of a single melody to the “everything always” concept of white noise, Machaut + Rauschen explores the complexity of simple sounds hidden within masses of complex noise. Listening at these extremes reveals how deceptive the ideas of simplicity and complexity can be.
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