Using pitchpartials.m:
- add successive equal-amplitude harmonics to f0 = 55 and f0 = 440.
- listen for gradual reinforcement of the pitch frequency.
- listen for a sense of a higher frequency (especially f0 = 55).
Figure 4:
Peaks and wiggles.
|
Regular peaks account for hearing f0, and wiggles creates
sensation of a higher pitch.
We can get rid of this sensation by choosing the relative
amplitudes differently.
At around 440 Hz, the ear can get the ``right'' pitch from the first
6-12 harmonics but NOT from harmonics 7 through 12.
- at 440, the time resolution of the ear isn't good enough to
follow the envelope;
- instead, we get a sound based on the frequencies of all the
wiggles, small or large.
Duplex Theory of Pitch says we use two pitch mechanisms:
- based on periodicty at lower frequencies,
- based on frequency (place theory) at higher frequencies.
``Music 175: Pitch''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (pitch175.pdf)
Download compressed PostScript version (pitch175.ps.gz)
Download PDF `4 up' version (pitch175_4up.pdf)
Download compressed PostScript `4 up' version (pitch175_4up.ps.gz)
Copyright © 2019-05-21 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>