Musical tones have partials that are integer multiples of a fundamental frequency--the pitch frequency.
The fundamental frequency need not be present.
In experiments by Fletcher, filtering out low frequencies would not
This is conistent with our everday experience listening through earbuds in which a full bandwidth is not present.
Fletcher initially (incorrectly) proposed that the missing fundamental was recreated by nonlinearities in the ear.
Later concluded that a tone must include 3 successive harmonics in order to hear the pitch frequency.