An actual keyboard is isomorphic to a log frequency
scale (the physical distance of an octave is the same at high and
low frequencies).
Figure 3:
How musical interval sizes change
across mel scale.
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The mel scale reflects that the perceived difference
between notes decreases at the extreme ends of the keyboard.
The mel scale DOES NOT reflect that there is a
constant nature to musical intervals:
- a minor third is that same interval no matter where
it exists on the keyboard.
This suggests 2 different kinds of pitch:
- mel scale measurements
- musical (melodic) pitch
``Music 175: Pitch II''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (pitch2.pdf)
Download compressed PostScript version (pitch2.ps.gz)
Download PDF `4 up' version (pitch2_4up.pdf)
Download compressed PostScript `4 up' version (pitch2_4up.ps.gz)
Copyright © 2019-06-04 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>