- In waveshaping, it is possible to change the spectrum with the
amplitude of the sound (i.e. changing the time-domain waveform by
a controlled distortion of the amplitude).
- Since this is also a characteristic of acoustic instruments,
waveshaping has been used effectively for synthesizing traditional
musical instruments, and in particular, brass tones.
- Like FM, waveshaping synthesis enables us to vary the bandwidth
and spectrum of a tone in a way that is more computationally efficient
than additive synthesis.
- Also like FM, waveshaping provides a continuous control of the
spectrum over time by means of an index.
- Unlike FM, waveshaping allows you to create a band-limited
spectrum with a specified maximum harmonic number (i.e. making it
easier to prevent aliasing!).
``Music 270a: Waveshaping Synthesis''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (waveshaping.pdf)
Download compressed PostScript version (waveshaping.ps.gz)
Download PDF `4 up' version (waveshaping_4up.pdf)
Download compressed PostScript `4 up' version (waveshaping_4up.ps.gz)
Copyright © 2019-03-03 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>