Increasing the delay of the ``simple'' first-order lowpass
filter
where is the coefficient multiplying the delay,
calls for use of a delay line:
Figure 9:
A feedforward comb filter.
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Figure 10:
The comb filter magnitude response.
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``Music 206: Delay and Digital Filters I''
by Tamara Smyth,
Computing Science, Simon Fraser University.
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Copyright © 2020-01-14 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>