Subsections

Course Information

Meeting Time and Place

Lecture: Tuesday 2:00PM - 4:50PM, CPMC 367.

Office hours: CPMC 233 (my office) by appointment.

Course Description

This seminar introduces methods for discrete-time modelling of musical acoustic systems and delay-based audio effects. Covered topics, including filters, delay lines, flanging, aritificial reverb, sampled traveling waves, musical instrument acoustics/modeling, and acoustic measurement. Theory will be consolidated with practical programming assignments in Matlab.

Prerequisites

Music 170, 171 and 172, or equivalent, or permission by instructor.

Grading

Required Textbooks

Resources

Matlab is available in the Music Lab, the Library, the Price Center, and any number of labs across the campus managed by ACMS. A list of the general access labs on campus is available here.

Reference


``Music 206: Computational Modeling for Sound Synthesis'' by Tamara Smyth, Department of Music, University of California, San Diego (UCSD).
Download PDF version (intro206.pdf)
Download compressed PostScript version (intro206.ps.gz)
Download PDF `4 up' version (intro206_4up.pdf)
Download compressed PostScript `4 up' version (intro206_4up.ps.gz)

Copyright © 2020-01-28 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>