- Drawback: it often requires many oscillators to produce
good quality sounds, and can be very computationally demanding.
- Also, many functions are useful only for a limited range of
pitch and loudness. For example,
- the timbre of a piano played at A4 is different from
one played at A2;
- the timbre of a trumpet played loudly is quite
different from one played softly at the same pitch.
- It is possible however, to use some knowledge of acoustics
to determine functions:
- e.g., in specifying amplitude envelopes for each oscillator,
it is useful to know that in many acoustic instruments the higher
harmonics attack last and decay first.
``Music 270a: Modulation''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (modulation.pdf)
Download compressed PostScript version (modulation.ps.gz)
Download PDF `4 up' version (modulation_4up.pdf)
Download compressed PostScript `4 up' version (modulation_4up.ps.gz)
Copyright © 2019-10-28 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>