Experiment (Attneave and Olson):
- chimes playing G-E above-C below E (f=196, 330, 262 Hz)
- first note would be transformed and subjects would adjust
remaining notes until it sounded correct;
- resulted not in mel but a log frequency scale
within the common musical range, breaking down at high frequencies.
There are many other attributes to the organization of
sounds (timbre, spatial location, and loudness), but pitch and time
have special importance;
- they are morphophoric: capable of bearing forms that are
preserved upon transformation;
- pitch patterns (melodies and harmonies) can be moved up and down
in pitch and still be recognized.
Loudness, timbre and spatial locations are NOT
morphophoric.
Visual space IS a morphophoric medium: a shape
moved or rotated in space can still be recognized.
``Music 175: Pitch II''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (pitch2.pdf)
Download compressed PostScript version (pitch2.ps.gz)
Download PDF `4 up' version (pitch2_4up.pdf)
Download compressed PostScript `4 up' version (pitch2_4up.ps.gz)
Copyright © 2019-06-04 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>