Listen progressively--they sound less bright.
0 dB/oct: harsh and buzzy sound
- like the waveform near the player's mouth (or reed) in an oboe.
6 dB/oct: sawtooth wave--what happens when we increase the
harmonics?
- like a bowed string at the point of bowing--bow
pulls the string sideways while they're stuck together, then
eventually the string breaks away and slips back.
12 dB / oct: a smoother sound.
3-9 dB /oct most musically interesting.
The greater the negative slope of spectral rolloff, the smoother
the waveform, and the less bright/buzzy the sound.
How does average spectrum effect timbre?
- consider equal loudness curves to determine which spectral
components are most important.
``Music 175: Timbre''
by Tamara Smyth,
Department of Music, University of California, San Diego (UCSD).
Download PDF version (timbre175.pdf)
Download compressed PostScript version (timbre175.ps.gz)
Download PDF `4 up' version (timbre175_4up.pdf)
Download compressed PostScript `4 up' version (timbre175_4up.ps.gz)
Copyright © 2019-05-09 by Tamara Smyth.
Please email errata, comments, and suggestions to Tamara Smyth<trsmyth@ucsd.edu>